Supported by: Banlieues Bleues

Novembre is a quartet inspired by jazz history and contemporary's music writing technics, but also cinema editing and art collage, construction as David Lynch or Pablo Picasso would do. Diffracted melodies, fragmented compositions are the materials of a general form built as a scenario. Audience’s memory is directly involved when listening themes reminiscences that we thought were definitely lost in the past. Zapping, collages, mirror games and time ellipses are the tools that feed Novembre’s lyricism and poetry.