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	<title>Lauréats &#8211; Jazz Migration</title>
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	<description>dispositif d&#039;accompagnement de jeunes musiciens de jazz</description>
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	<title>Lauréats &#8211; Jazz Migration</title>
	<link>https://jazzmigration.com</link>
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		<title>Moustik Haterz</title>
		<link>https://jazzmigration.com/language/en/laureat/moustik-haterz-2/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 14:43:37 +0000</pubDate>
				<category><![CDATA[JM#12 Laureates]]></category>
		<category><![CDATA[Lauréats JM#12]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=25440</guid>

					<description><![CDATA[Spicy and flavourful, Moustik Haterz’s music is never short on taste. In this tight-knit instrumental quintet, the enthusiasm is infectious. Two saxophonists intertwine their lines, propelled by a powerful keys–electric bass–drums trio. Their crowd-pleasing programme, sharp yet accessible, is best savoured live. With pieces inspired by Balkan and Middle Eastern music or by electronically textured [&#8230;]]]></description>
		
		
		
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		<title>FELSENMEER</title>
		<link>https://jazzmigration.com/language/en/laureat/felsenmeer-2/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 14:41:00 +0000</pubDate>
				<category><![CDATA[JM#12 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=25442</guid>

					<description><![CDATA[Felsenmeer (“sea of rocks” in German) crafts inventive new music from the meeting of clarinet and bass clarinet (Joséphine Besançon), electric guitar (Charles Paillet), double bass (Fanny Bouteiller) and drums (Matheo Ciesla). The quartet draws its first inspiration from jumbled boulder fields, conjuring a mineral, airborne world. Rugged expanses, wind-carved crevices, dizzying landscapes. The group [&#8230;]]]></description>
		
		
		
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		<title>NENO</title>
		<link>https://jazzmigration.com/language/en/laureat/neno-2/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 14:37:01 +0000</pubDate>
				<category><![CDATA[JM#12 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=25444</guid>

					<description><![CDATA[First, there was the dance floor. From their very first gig in September 2024, opening a jam session, it convinced them to keep going and turn a one-off into a project. Neno erases the borders between jazz and electronic music so that musical languages flow both ways and audiences mix. The augmented quartet (keys, trombone, [&#8230;]]]></description>
		
		
		
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		<title>Tornade Spectrale</title>
		<link>https://jazzmigration.com/language/en/laureat/tornade-spectrale-2/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 14:34:19 +0000</pubDate>
				<category><![CDATA[JM#12 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=25432</guid>

					<description><![CDATA[Formed in Toulouse in 2024, Tornade Spectrale brings together Sam Brault and Claire Lenoël. On the same wavelength, the pair get hands-on with raw sound and break the sound barrier. They cross a song from the Haut-Agenais with a noise brew, and the trance of rāga with an Occitan cover of Massive Attack, not to [&#8230;]]]></description>
		
		
		
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		<title>Duo Brady</title>
		<link>https://jazzmigration.com/language/en/laureat/duo-brady/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 26 Mar 2025 07:51:10 +0000</pubDate>
				<category><![CDATA[JM#11 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=23529</guid>

					<description><![CDATA[Since meeting in 2010, Michèle Pierre and Paul Colomb have played together continuously, their playful musical dialogue giving rise to Duo Brady. In La Vie d’après—a post-Covid repertoire conceived as a reverie about our possible futures—they blend melancholy with hope and celebration.&#160; Everything that made the duo so compelling—lyrical depth, virtuosic improvisation, and seamless interaction—is [&#8230;]]]></description>
		
		
		
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		<title>OASIS BOOM</title>
		<link>https://jazzmigration.com/language/en/laureat/oasis-boom/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 26 Mar 2025 07:43:30 +0000</pubDate>
				<category><![CDATA[JM#11 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=23526</guid>

					<description><![CDATA[From the White Stripes to the Black Keys, the drum/guitar duo is to rock what the piano/bass/drum trio is to jazz: a classic format. But reducing Oasis Boom’s music to a single aesthetic would be a mistake.&#160; Inside the “car radio of the cactus bus”—the name of the single extended piece they perform live—you’ll find [&#8230;]]]></description>
		
		
		
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		<title>Franges</title>
		<link>https://jazzmigration.com/language/en/laureat/franges-2/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 26 Mar 2025 07:31:43 +0000</pubDate>
				<category><![CDATA[JM#11 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=23523</guid>

					<description><![CDATA[Franges is an orchestra where the dreamlike quality of sound takes center stage. The breath of the flute and saxophone is its driving force. Rooted in the aesthetics of repetitive music, the ensemble is anything but static. Franges explores uncertain terrain, flowing freely with ideas. The quintet forms a unified, vibrant, and ever-evolving orchestral entity. [&#8230;]]]></description>
		
		
		
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		<title>nit and dogs</title>
		<link>https://jazzmigration.com/language/en/laureat/nit-and-dogs/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 26 Mar 2025 07:29:08 +0000</pubDate>
				<category><![CDATA[JM#11 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=23521</guid>

					<description><![CDATA[Under Rose Dehors’s impulse, the quartet nit and dogs invent a crossing between folk wanderings and pop tinged with wild edges. Inspired by Emily Dickinson and Björk, the trombonist crafts a rosary of ballads that sway between warm timbres and glitch-laden magic. Each musician plays with mirrors and counterpoints, weaving synthetic alter-egos into their acoustic [&#8230;]]]></description>
		
		
		
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		<title>SĖLĒNĘ</title>
		<link>https://jazzmigration.com/language/en/laureat/selene-2/</link>
		
		<dc:creator><![CDATA[Sophie Vilain]]></dc:creator>
		<pubDate>Wed, 27 Mar 2024 23:32:58 +0000</pubDate>
				<category><![CDATA[JM#10 Laureates]]></category>
		<guid isPermaLink="false">https://jazzmigration.com/?post_type=laureat&#038;p=21482</guid>

					<description><![CDATA[In the realm of rebellious music, Sėlēnę reigns over powerful and psychedelic, electric, dreamlike, and surreal worlds. Sėlēnę is a blend of character(s). Forged on Réunion Island. Mélanie Badal, a cellist, originated this classical repertoire, joyfully disrupted since 2018 by electroacoustic accents. Guitarist-alchemist Blaise Cadenet seamlessly integrated into the project’s intricate patterns. This is an [&#8230;]]]></description>
		
		
		
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